Le Chantier: portrait of artist
Mathilde Forest
As the two core elements of Mathilde Forest’s work, architecture and assembly tend to act as catalysts in her approach.
Mathilde Forest
As the two core elements of Mathilde Forest’s work, architecture and assembly tend to act as catalysts in her approach.
Stephanie Nuckle’s research deals with the interaction with the land, her land, both in its survey and representation.
In an ecological perspective, Janie’s work deals with photography in its simplest form: nature’s reaction to the sun.
Gwenaël Bélanger developed a series in which he challenges the presence of print in the space of photography.
During her creation residency for Le Chantier – Research project on the printed and photographic image, artist Eliza Olkinitskaya has carried out two research projects that—although dissimilar in their style—overlap in their slow temporality and inherent materialness.
Through various experimentations, Camille Lamy examines the role of the colour blue in our representation of territory, insularity, cartography and geographical distance.
Au fil des derniers mois, Étienne Tremblay-Tardif a mis à profit les équipements de L’imprimerie pour produire, notamment, des plaques de cuivre surdimensionnées à l’effigie du billet de 100 USD.
Language is the main medium of Céline Huyghebaert’s art practice. In it, writing combines with visual and formal exploration, as artistic creation meshes with theoretical research.